La 2022 Collection ha encontrado su escenario perfecto en la 60ª edición del Salone del Mobile.Milano, en el Minotti Pavilion. No se trata únicamente de un espacio de exposición, sino de un lugar escénico y refinado: un verdadero pabellón.
Un entorno arquitectónico de 3200 metros cuadrados cuyo impacto estético y volumétrico no solo viene dado por la inmensidad del espacio, sino también por su construcción: una domus en dos niveles, con perspectivas que se entrecruzan y permiten una clara percepción del interior desde el exterior. El elemento fuertemente característico de este volumen surge gracias al hábil e inédito uso del cemento, recreando, ya desde su perímetro, un efecto único: el bloque de cemento es un prisma perforado, diseñado por Minotti Studio, que forma auténticas paredes matéricas que demarcan un límite dejando una continua libertad de diálogo visual entre el interior y el exterior.
Una vez en su interior, uno se encuentra envuelto por una sensación de espacio más allá de cualquier límite, con amplias zonas verdes que circunscriben los ambientes como en una especie de abrazo, creando una transición continua entre los ambientes interiores y exteriores.
La colección, alojada en este imponente espacio arquitectónico, subraya la capacidad de la empresa de impulsarse en la exploración de nuevos horizontes creativos entre las formas, las imágenes y las evocaciones culturales de diferentes partes del mundo, estableciendo un diálogo entre los muebles fundamentales de la 2022 Collection y los de las colecciones recientes, subrayando cómo el trabajo de diseño y estética que la marca desarrolla junto a sus diseñadores está en constante evolución, al tiempo que sigue un camino coherente con su identidad.
Así, los nuevos protagonistas de la 2022 Collection, como los sistemas de asientos Horizonte de Marcio Kogan / studio mk27, y Goodman, junto con Twiggy, diseñados por Rodolfo Dordoni, se integran perfectamente en la familia de asientos Sendai, Yoko y Lars, del dúo japonés-danés Inoda+Sveje, sino también superventas como Roger, Connery, Brasilia y Torii, todos ellos convertidos ya en diseños icónicos que forman parte de la colección Minotti y que ven, en sus nuevas incorporaciones, un nuevo impulso y un nuevo potencial de uso y combinaciones.
Lo mismo ocurre con el mundo exterior que, como siempre en la filosofía de diseño de la empresa, no se aparta del lenguaje del mundo de los interiores, sino que lo evoluciona y amplía. Así, las novedades de 2022, como Patio Teak de GamFratesi y Belt Cord Outdoor de Rodolfo Dordoni, conviven en sinergia con los recientes muebles de exterior como Lido Cord Outdoor, Torii Nest Outdoor, Florida y Quadrado. En este recorrido expositivo no hay límites rígidos y preestablecidos para la narración de estos muebles, sino una sensación fluida en la que es la arquitectura la que, al acogerlos, los narra y realza.
El mobiliario se inscribe en esta continuidad en la que solo los complementos, los tejidos y el arte crean acentos fuertemente contrastados mediante el uso de colores vivos y superficies brillantes, en perfecta armonía con el estilo y las referencias de diseño de la 2022 Collection, que se adentra en un sofisticado equilibrio entre los años 70 y la combinación de la cultura japonesa con el gusto escandinavo. Las nuevas colecciones y los grandes clásicos amueblan un escenario arquitectónico que transporta al visitante a un espacio imaginario y evocador más allá de los límites de la feria.
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